The result produces sometimes surprising connections, and we must be clear about what these connections reveal: these links are artificial. They proceed from no literary analysis in the traditional sense, rely on no knowledge of historical contexts, acknowledged influences, or aesthetic debates that actually traverse the works. The algorithm operates on linguistic patterns, lexical recurrences, syntactic structures, producing associations that say more about the biases of training corpora than about genuine literary kinships. Yet these mechanical approximations present a singular documentary interest. They offer a window into how machines process language, the implicit categories they construct, their particular way of reading without understanding.
This project therefore explores less literature itself than the technical mediations that now interpose between readers and works, questioning what we accept to delegate to machines in our relationship to culture.
*Given my humble literary background, I have to admit the calculations mentionned were also generated with the help of an LLM.